Issue: 2023 Vol. 34 No. 3

When Technology Threatens the Right to an Impartial Jury

The United States Constitution contains provisions that support the right to a trial by an impartial jury in both criminal and civil cases. As the Sixth Amendment explicitly states, “[i]n all criminal prosecutions, the accused shall enjoy the right to a speedy and public trial, by an impartial jury of the State and district wherein … Continued

When a Film Project Collapsed, Could Movie Star Eva Green Keep Her $1 Million Pay-or-Play Fee? Was the Law of Failed Projects To Blame?

In May 2019, French actress Eva Green (“Casino Royale,” “Penny Dreadful,” “300: Rise of An Empire”) was hired to star in “A Patriot” (the project), a U.K. film project that collapsed shortly before filming was to start. By October of that year, the project’s American bridge lender (the bridge lender) sought return of Green’s $1 million pay-or-play fee, leading … Continued

The Summer of Hollywood Strikes and Why This Time Feels Different

Nearly four decades ago, technocratic visionary James Cameron gave the world a rather ominous taste of artificial intelligence (AI) by way of The Terminator. Skynet, the AI system of the future, sends Arnold Schwarzenegger’s gun toting cyborg to the year 1984, on a mission to kill Sarah Connor and initiate the extinction of the entire human … Continued

Sports and Entertainment Immigration: Dance in Immigration; Temporary Protected Status (TPS), and Florida Being Florida

In the world of immigration, specifically, U.S.-based immigration, there is rarely ever a quiet moment. This often includes humanitarian aspects, like temporary protected status (TPS), and the like; other times, things that might not ordinarily seem related to immigration. As a result of all of this, in this edition of Sports and Entertainment Immigration, we are … Continued

SOCAN v. ESA and the Making Available Right in Canada, the United States, the European Union, and Hong Kong

In SOCAN v. ESA,1 the Supreme Court of Canada (SCC) ruled on the interpretation of the making available right in § 2.4(1.1) of the Copyright Act of Canada.2 Citing the principle of technological neutrality, the SCC rejected the proposition that two separate royalties are payable for the making available and the streaming of a work. Instead, the SCC … Continued

Resolution Alley: Arbitration Agreements Are Not Only for Future Disputes

Resolution Alley is a column about the use of alternative dispute resolution in the entertainment, arts, sports, and other related industries. With historical origins in the commercial and global trade arena, arbitration is generally intended to be a voluntary, consensual, and private adjudicatory process for dispute resolution. The parties engage a neutral, disinterested third-party (called … Continued

Remarks From the Chair

I hope everyone enjoyed their summer. EASL has been busy working on fall events and the January 2024 Annual Meeting. This is my final Remarks From the Chair, as my term will finish at the end of January 2024, soon after the year’s Annual Meeting. It has been a true pleasure to serve as chair … Continued

Proving Copyright Access in an On-Demand World

For many decades, courts have bemoaned the frequency at which they are presented with ill-conceived copyright infringement claims predicated “upon that obsessive conviction, so frequent among authors and composers, that all similarities between their works and any others which appear later must inevitably be ascribed to plagiarism.”1 This problem has been compounded by the digital revolution’s … Continued